Skip to main content

Bahar - a font finds its sea legs

Today, I'd like to share one of those longterm projects that seems to be nearing completion.
BaharFraktur is a blackletterish font that started life as the Boob font in 2007, on one of Luc(as) de Groots brilliant font classes. I had been itching to do a blackletter font for ages at that point, loving the broken letters for their playful calligraphic qualities and the typesetting opportunities they offer. That they share a kinship with Arabic letting helped. So I hunkered down with fontlab to create a headline font, realising only weeks into it that I had embarked on the creation of a hungry, time-consuming beast which would not let me go for a couple of years. Since then I've been working on and off on this, returning to work on it fuller- time a few weeks ago…
Below, you'll find a glyph list, complete with their unicode range, of the font as is right now. It's still missing the eastern european diacritics, a few dots and dashes of black here and there… but it's getting there.




omitted from this post is the alternate lower case as it will still need a bit of work before I am happy with it.

Comment and do opine!

Ps: if you click on the Blackletter tab in the label cloud, you should see Bahar popping up in various stages of development in previous projects and posts.

Comments

Alex said…
Wow! Very nice. Would love to see a PDF. One little thing: Mirroring the lower p and the q ... hmmmn, does not really fit.

How many glyphs are missing before you gonna release it?

Alex

PS Sorry for my bad english.
caramk said…
First off: Thanks! Always happy to have some feedback!

PDF shouldn't be a problem, if you send me an address. Be warned, though, there are still some issues with rendering under OSX, but it seems to work fine with the Adobe font renderer. Also, kerning is still an issue for me.

As to missing glyphs: dashes are definitely not there yet, numbers need some work… maybe a couple of diacritics. I'd be happy with that.

But as I promised Luc I'd do it right, I'm pretty sure he won't let me off before I have the full unicode range ;-)

I'll look into the p's an q's, as you're totally right… it don't really work.
caramk said…
PS: Kein Problem, es wird auch Deutsch gesprochen! .

English is my first language though, so I generally will blog én anglais.
Alex said…
This comment has been removed by a blog administrator.
caramk said…
habs mal vorsichtshalber gelöscht, sonst kann det ja jeder lesen! Mail hab ich, kommt morgen…

Popular posts from this blog

¡Carambolage Rocks! (Apparently)

Gather the barber shop quartet! Roll the Drums! Fire the Works! Open the ball! Vote Hillary! Raise the topmast! Scour the Plank! Split the Atom! Shiver me timbers! That brought on quite a bit of nonsensical jubilation, finding that iCeah of Wow Legs has nominated Carambolage as a Kick-Ass Blog. In fact I jubilated all through yesterday, pausing only to reflect on Microsofts new Ad, Shelves I'd like to have, Fembots and Virgin advertising. I jubilated through work and through a small spot of partying.I am still jubilant as I write this! And now, my speech: "We've come a long way, yahdiyahdiyah, achievement, blahblah, the people who made this possible, yakyakyak, our sponsors, moohdemoohdemooh, honoured to accept, beehdibeehdibeeh, Mom, God and the stinky state of Berlin. Thangyouthangyouverymuch." So thank you for the Award, iCeah, if you didn't have one already, I'd nominate you right back, Meanwhile, my link-list needs some updating. Also meanwhile, here'

Rant: Marco Wilms Art War — a Dangerous Document

Over the past three years, a great number of films dealing with the Egyptian Uprising, whether documentary, docufiction or pure invention have been brought to screens and festivals around the world. The latest such offering I have watched, Marco Wilms documentary Art War, is an interesting and polarising case.  ART WAR - Trailer from HELDENFILM on Vimeo . " ART WAR is the story of young Egyptians who, through art and enlightenment, and inspired by the Arab Spring, use their creativity to salvage the revolu tion. Using graffiti murals and rebellious music and films, they inspire the youth culture around the world and throughout the streets of conquered Egypt. The film follows revolutionary artists through 2 years of post-revolutionary anarchy, from the 2011 Arab Spring until the final 2013 Parliament election. It describes the proliferation of creativity after Mubarak’s fall, showing how these artists learn to use art in new ways--as a weapon to fight for their unfinish

The Clay Models

In an attempt to move away from the more dangerous things in life, such as hmanely catching rabbits, flying to the moon in search of Wedneslydale or sheeprustling, Messrs. Wallace and Gromit, formerly of Anti-Pesto, have taken up part-time modeling for Harvey Nichols. They present us with an amazing transformation, which, in a wierd way, actually looks cracking great! The campaign is brought to your poppers by DDB London with photography by Giles Revell. Wallace: Prince of Wales check grey two-piece suit by Paul Smith Gromit: Ray Ban Wayfarer sunglasses and purple stripe silk scarf by Duchamp. Wallace: navy cashmere jacket and silk tapered trousers by Alexander McQueen, Dolce & Gabbana fitted white shirt and Giorgio Armani tie. Gromit: navy silk Paul Smith scarf Lady Tottington: black draped jersey ‘Acorn’ dress by Alexander McQueen, red patent ‘Triclo’ shoes by Christian Louboutin and metallic bronze ’Puffy’ bag by Zagliani More!