Bahar - a font finds its sea legs

Today, I'd like to share one of those longterm projects that seems to be nearing completion.
BaharFraktur is a blackletterish font that started life as the Boob font in 2007, on one of Luc(as) de Groots brilliant font classes. I had been itching to do a blackletter font for ages at that point, loving the broken letters for their playful calligraphic qualities and the typesetting opportunities they offer. That they share a kinship with Arabic letting helped. So I hunkered down with fontlab to create a headline font, realising only weeks into it that I had embarked on the creation of a hungry, time-consuming beast which would not let me go for a couple of years. Since then I've been working on and off on this, returning to work on it fuller- time a few weeks ago…
Below, you'll find a glyph list, complete with their unicode range, of the font as is right now. It's still missing the eastern european diacritics, a few dots and dashes of black here and there… but it's getting there.

omitted from this post is the alternate lower case as it will still need a bit of work before I am happy with it.

Comment and do opine!

Ps: if you click on the Blackletter tab in the label cloud, you should see Bahar popping up in various stages of development in previous projects and posts.

IGAF: Utopia- Les Jours Meilleurs

A couple of weeks ago, I wrote this post, titled Dystopia , containing a dark version of the future, a look at the negative outcomes that might crawl out of the COVID-19 crisis. It has, by now been described as "9/11 in slow motion". Someone else broke a golden editorial rule to describe it as "2008 on crack". Media outlets, including Youtube, have warned of the long-term effects of this, on civil rights, labour and employment, surveillance and press freedom. And some, most notably Mr Orban of Hungary, have used this excellent opportunity to pass new, restrictive legislation that concentrates power in their hands. There have been calls for the elusive COVID cure not to be patented. And yet… And yet… It's easy to lose yourself in a media bubble, following the news and media 24/7, following, queuing in line to get into expensive shops, just walking into discount stores and the constant desire for many drinks (preferably with 10 friends or more, in a park...

IGAF: An ahistoric crisis?

One of the many reasons I have grown to appreciate interviews with Arundhati Roy over the last year of what I'm calling her book tour is that, in contrast with many speakers at conferences and interviewees, I never have the feeling she is trying to sell me something. She speaks in a calm, collected voice, full of knowledge, experience and occasional wisdom, without being desperately full of herself. One of my favourite sayings is, so far, goes something like "The most successful revolution was the secession of the rich onto a global planet, wherefrom they cannot see the poor. There is no more India, no more USA, no more Europe- there is planet Rich, then there is planet Poor, and both are global."* Carers at their limits- now more than ever. For €2400 and some chocolates? A month or so into what may be a new normal, my life is still pleasant- with some adjustment, I am, so far, privileged in this absence of change and an ability to follow the crisis as I would fol...

The Books of Faragh 4: Of Lines

This time, it's really all about lines ;) Below: Book of Faragh 4: of Lines (May 2020) Faragh/فراغ (Ar): emptiness, vacuum, a free space http://caramk.net/faragh/faragh.html

Caramblogage

Search This Blog