Uncovering Saudi Arabia.

A while back, I was amused find a lingerie ad from the gulf in which the lingerie had been censored out very generously, leaving me with the distinct impression that the model shown must have had double-, if not quadruple D breasts.
From Ogilvy Saudi arabia this slightly innuendous series of ads, which do the contrary. They leave us with the (uncovered!) head of the model and a few pieces of underwear. The could easily be misconstrued as an attempt to make Saudi women shed their hegabs, nequabs and all the rest in favour of transparent dresses that do not hide their lingerie. On the other hand, it might be a comment on the prevalent culture of censorship and repression in many Arab states.

By contrast, here's an odd Disney ad from China, also featuring lingerie (note the pattern!)in an unusual context. I guess that is what they must call cultural differences.

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Rant: Marco Wilms Art War — a Dangerous Document

Over the past three years, a great number of films dealing with the Egyptian Uprising, whether documentary, docufiction or pure invention have been brought to screens and festivals around the world. The latest such offering I have watched, Marco Wilms documentary Art War, is an interesting and polarising case. ART WAR - Trailer from HELDENFILM on Vimeo . " ART WAR is the story of young Egyptians who, through art and enlightenment, and inspired by the Arab Spring, use their creativity to salvage the revolu tion. Using graffiti murals and rebellious music and films, they inspire the youth culture around the world and throughout the streets of conquered Egypt. The film follows revolutionary artists through 2 years of post-revolutionary anarchy, from the 2011 Arab Spring until the final 2013 Parliament election. It describes the proliferation of creativity after Mubarak’s fall, showing how these artists learn to use art in new ways--as a weapon to fight for their unfinish

Random Browsing gets me a new face.

Two o'clock in the morning is generally a good time to randomly surf the web and the blogs. This lovely lady, known to me only as Wow Legs, points the blogophere in general to this brilliant Manga face creator . Akin to the Simpsonize me Viral effort, this allows you to create a mangaesque face for yourself, using prefab elements that actually work. Hours of fun to be had here. I think this might be how some tv cartoons are made, right down to the script, except that they don't possess the power of a handsome jawline. Just to clarify: This is Wow Legs manga avatar. Generally, I try not to mangafy people I haven't seen in real life. The picture above is something I threw together as a test. UPDATE: I don't know what happened here, but my clarification seems to have caused more damage than good. As my editorial standards prevent me from knowingly misinforming you, I posted the clarification (above) to do exactly that and not mislead the reader. I also wanted to preserve

In Taheyya we Trust - How an Egyptian bellydancer found her posthumous stage in Berlin

“You should have winked at her,” Aida said dismissively, as if such a possibility had been imaginable for someone as timid as I was. Tahia Carioca was the most stunning and long-lived of the Arab world’s Eastern dancers (belly-dancers, as they are called today). Edward Said, Farewell to Taheyya My story with Taheyya begins in the summer of 2016, at Bulbuls Café in Görlitzer Str. in Berlin. It ends two blocks down on Wiener Str 17. Bulbuls is a café and art space around my corner that I have grown to like to sit in and drink smoothies (1). He had commissiond us- a crew of Syrian and Egyptian artists, as well as myself, to paint the walls inside the café. El Tenneen (the Dragon) is the one who ended up drawing Sheikh Imam, with the help of Salam Alhassan (known as Salahef/ Turtles) and Sulafa Hijazis (whom we call El Hayya/The Snake’s) beamers’ illumination. The Sheikh sits happily in the place to this day and Crew El-Zoo was born. Tenneen had the adv

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