Skip to main content

Thoughts on an interview.

Or Carams current ten rules of design.



I went to a job interview with a place that shall remain unnamed for now.

This being an interview I got through this blog, I felt I should report about it here.

I have two thoughts on it: it reinforced my belief in that best results can be achieved when design and technology work closely together. It results in better usability and a simpler technology, thereby enhancing our daily lives.
The digital environments we interact with have long become obiquitous, but the way we use them can nevertheless be improved. Engineers alone would probably focus too much on the functionality of the object in question, designers too little, focusing in stead on it's good looks. The best way to think about a new product is from both sides, thus creating a well-designed product on a base of sound technology.

The second is a simpler though. I got invited to the interview because someone liked my designs. Now, while I have no problem whatsoever with my stuff being liked, I hold the belief that, even if you like it, it is work I have done for another client, adapting to their visual language. For you, dear prospective employer, with a different focus, a different approach to conveying your institutions information, my communication designs would be different, more befitting to the tone and content that you wish to communicate.

As a Leopard can't change it's spots entirely, I might apply my usual rules of clean, informative design, with a focus on typographic topography and a pleasant reading experience. Or the situation might require something different entirely. The question is: can you designer adapt to that situation.

Liking stuff isn't enough to employ someone, in my opinion. You do, after all buy the person. So consider: Can you work with this personality? Are they capable of grasping the concepts they are faced with and turning them into an understandable communication that represents my organisation adequately? Do they know their stuff well enough to print without wasting money on botched trial runs? Do I think that they can make my public output exciting?

These were questions running though my mind as I sat there, talking to two very pleasant people on an office on the 13th floor.

Comments

Popular posts from this blog

¡Carambolage Rocks! (Apparently)

Gather the barber shop quartet! Roll the Drums! Fire the Works! Open the ball! Vote Hillary! Raise the topmast! Scour the Plank! Split the Atom! Shiver me timbers! That brought on quite a bit of nonsensical jubilation, finding that iCeah of Wow Legs has nominated Carambolage as a Kick-Ass Blog. In fact I jubilated all through yesterday, pausing only to reflect on Microsofts new Ad, Shelves I'd like to have, Fembots and Virgin advertising. I jubilated through work and through a small spot of partying.I am still jubilant as I write this! And now, my speech: "We've come a long way, yahdiyahdiyah, achievement, blahblah, the people who made this possible, yakyakyak, our sponsors, moohdemoohdemooh, honoured to accept, beehdibeehdibeeh, Mom, God and the stinky state of Berlin. Thangyouthangyouverymuch." So thank you for the Award, iCeah, if you didn't have one already, I'd nominate you right back, Meanwhile, my link-list needs some updating. Also meanwhile, here'

Transmutations of Ankhs, Pixels and Wood

Every delay has its benefit. Wise words indeed. After so many hints, it is finally time for some reveal, as two projects we set in motion at the beginning of the year finally culminate into programme.  First, a couple of words on the we of things: We are, in this case, Spring Lessons, an international group that defines itself thus: " The Spring Lessons Initiative is an international forum for artistic research. It follows and presents current creative developments and cultural projects, explores new forms of civil self-organisation and creates spaces for dialogue and cultural education." What this means in practice is that we have been putting on a series of Events since the end of 2011. We have been very lucky to be able to collaborate with the likes of the MAD couple , AlFilm , Eka3 , From Here To Fame and many more.  We approached this year with the goal of putting on one event a month, exploring, amongst other things, the revolutionary aspects of S

Rant: Marco Wilms Art War — a Dangerous Document

Over the past three years, a great number of films dealing with the Egyptian Uprising, whether documentary, docufiction or pure invention have been brought to screens and festivals around the world. The latest such offering I have watched, Marco Wilms documentary Art War, is an interesting and polarising case.  ART WAR - Trailer from HELDENFILM on Vimeo . " ART WAR is the story of young Egyptians who, through art and enlightenment, and inspired by the Arab Spring, use their creativity to salvage the revolu tion. Using graffiti murals and rebellious music and films, they inspire the youth culture around the world and throughout the streets of conquered Egypt. The film follows revolutionary artists through 2 years of post-revolutionary anarchy, from the 2011 Arab Spring until the final 2013 Parliament election. It describes the proliferation of creativity after Mubarak’s fall, showing how these artists learn to use art in new ways--as a weapon to fight for their unfinish