One of the more design- related topics of the Egyptian revolution is of course the placards and signs that were carriad to the worldwide demonstrations. While placards and slogans do usualy not rank that high on a designers' list of designed objects, a bit of exploration is warranted in the context of bi- lingual type. The more typical Arab demonstrator will carry a calligraphic placard with eleganty writ arabic proclaiming the slogan of the day. In Egypt, land of the quick and humourous tounge and a 40% illitracy rate, it may also take the shape of a poignant caricature which reflects the demonstrators opinion. At any rate, the differnece between the quality of the Arabic slogans and the English is noticable: while the arabic is an elegant, humourous construction, the same hand that wrote it will usualy produce workable, but inelegant latin. An elegant placard pun is easily lost in translation. Favoured latin fonts, if any are used tend towards the sans- serif variety, with si
Caramblogage somehow contains Caram Kapps thoughts on worlds and words.