Skip to main content

22/23.06: Parties, Sudan and disillusionment.

-->
22.06

Finally, the day of the great reveal is here. Then it's gone again. Postponed again.

Parliament, controlled by the Muslim Brotherhood, had been dissolved, or stripped of its powers. It has been made irrelevant by military decree. Morsi has won the elections. People say Shafiq will nonetheless win the elctions due to ballots ma7sheya (stuffed ballots). The Brotherhood have rediscovered Tahrir as a platform for voicing their opinion. They threaten not to be violent.

Some article in the transitional constitution states that the results of an election must be announced up to three days after the polls are counted. This is the fifth day. Ballots ma7sheya can't take that long to make. I sit, smoking, in Zamalek, following the developments in front of a room fan, the smoke a whirlpool of nicotine, tar and ash. Twitter is more concerned with developments in Sudan, rather than focusing on local non-developments. Sudan is in revolt? Didn't they just partition the country?

What are the Sudanis on about?

23.06.

“Let's go to a Pool Party in Muqattam” she says. Inside, I cringe. We go. “No politics, no alcohol and no drugs.” As we drive past Tahrir on the flyover, I notice the masses there. I yearn not to be there, but for that, I would have to jump out of a car. I consider it for a moment. I don't ask them to stop.

We arrive in the breezy hights of the hill on top of the Cairo Citadel, far removed from the idea of revolution. The biggest sign is a poster for Abo El Fotouh, left over from the first round of the elections. Behind the gates of a villa, a manicured English garden awaits us. We are quickly surrounded by youthful Egyptians, who have either just graduated from University, or are about to. Many want to leave the country. We talk music, we talk the world and the state of Europe, we write cheesy love notes to the host, whose birthday it is.

I sneak a peak at twitter, see gunshots and violence happening in downtown. I have the feeling I am in the wrong place again. I don't want to be here. I am. We sing Wonderwall twice. We jump in the pool for about a quarter of an hour, then lounge on the lawn for hours. No politics are discussed, save for “There's some kind of big demonstration in Masr Elgedida. Something to do with the elections”.

I understand why these youth don't want to engage in political discussion today. Tomorrow should be, SCAF willing, D-Day, or P-Day. Tomorrow, Egypt will have a new president, and they must be tired of political machinations, twists and turns. They must be so disillusioned with the political process, barely a year and a half after the uprising.

From what I can tell, apart from a heightened and vocal distrust, occupations of Tahrir for this reason or that and many, many elections, not that much has changed in the political sphere of Egypt. Thse same conflict rages on, between the same parties, unabated, as the Brotherhood and the Army continue their decades- long conflict. Now the choice has been made, will be announced, between those two. The nerves of a country are being put to the test. 

Later, someone reminds me that "Democracy is not getting what you want. It is voting for what you want and accepting the will of the majority."

Comments

I completely share your view points when it comes to this topic. I thought I was the alone who maneuver such a thinking process. But yeah finally I have got a company. Let’s search more on this and share over her. What say??

Popular posts from this blog

Rant: Marco Wilms Art War — a Dangerous Document

Over the past three years, a great number of films dealing with the Egyptian Uprising, whether documentary, docufiction or pure invention have been brought to screens and festivals around the world. The latest such offering I have watched, Marco Wilms documentary Art War, is an interesting and polarising case.  ART WAR - Trailer from HELDENFILM on Vimeo . " ART WAR is the story of young Egyptians who, through art and enlightenment, and inspired by the Arab Spring, use their creativity to salvage the revolu tion. Using graffiti murals and rebellious music and films, they inspire the youth culture around the world and throughout the streets of conquered Egypt. The film follows revolutionary artists through 2 years of post-revolutionary anarchy, from the 2011 Arab Spring until the final 2013 Parliament election. It describes the proliferation of creativity after Mubarak’s fall, showing how these artists learn to use art in new ways--as a weapon to fight for their unfinish

In Taheyya we Trust - How an Egyptian bellydancer found her posthumous stage in Berlin

“You should have winked at her,” Aida said dismissively, as if such a possibility had been imaginable for someone as timid as I was. Tahia Carioca was the most stunning and long-lived of the Arab world’s Eastern dancers (belly-dancers, as they are called today). Edward Said, Farewell to Taheyya My story with Taheyya begins in the summer of 2016, at Bulbuls Café in Görlitzer Str. in Berlin.  It ends two blocks down on Wiener Str 17.  Bulbuls is a café and art space around my corner that I have grown to like to sit in and drink smoothies (1). He had commissiond us- a crew of Syrian and Egyptian artists, as well as myself, to paint the walls inside the café. El Tenneen (the Dragon) is the one who ended up drawing Sheikh Imam, with the help of Salam Alhassan (known as Salahef/ Turtles) and Sulafa Hijazis (whom we call El Hayya/The Snake’s) beamers’ illumination. The Sheikh sits happily in the place to this day and Crew El-Zoo was born. Tenneen had the adv

¡Carambolage Rocks! (Apparently)

Gather the barber shop quartet! Roll the Drums! Fire the Works! Open the ball! Vote Hillary! Raise the topmast! Scour the Plank! Split the Atom! Shiver me timbers! That brought on quite a bit of nonsensical jubilation, finding that iCeah of Wow Legs has nominated Carambolage as a Kick-Ass Blog. In fact I jubilated all through yesterday, pausing only to reflect on Microsofts new Ad, Shelves I'd like to have, Fembots and Virgin advertising. I jubilated through work and through a small spot of partying.I am still jubilant as I write this! And now, my speech: "We've come a long way, yahdiyahdiyah, achievement, blahblah, the people who made this possible, yakyakyak, our sponsors, moohdemoohdemooh, honoured to accept, beehdibeehdibeeh, Mom, God and the stinky state of Berlin. Thangyouthangyouverymuch." So thank you for the Award, iCeah, if you didn't have one already, I'd nominate you right back, Meanwhile, my link-list needs some updating. Also meanwhile, here'