Skip to main content

How to demonstrate effectively

While this is aimed at people who will probably never read it, nonetheless a short summary of my views on the subject:

Have a message

This is important. You are not rabble on the streets. Beyond the private politics of every participant, there is a greater cause behind the union of a large number of people. That is your message. Why are you assembled here today. Write it down. Distribute it. Stick to it. This is the point you wish to get across to the broader public. Who is taking part takes a distant second place to that.

Prepare


Yes, things will go wrong. That is the way life is. There will be glitches, and people will be people. Tempers will fray over any amount of time. Frequent reunions are helpful, as are emails and dropbox to keep everyone updated. Your message needs to be distilled, through discussion, to its maximum effectiveness. Choose your route wisely, through well-populated areas with cameras in them. You never know who may be looking. Plan ahead for the worst case, such as an earthquake in Japan. It really does happen. 


Press Your Point


This one is obscure and obvious at the same time. Reach out to the general public through their news, tell them about your cause. Speeches are helpful, but your press brief may be even more so. Frequent the internet and spread the word there, too. Be clear as to who is sending the message, and whom you are addressing with it. This is what you took to the streets for in the first place: to express your position on a subject you feel strongly enough to stop downtown traffic.  


Be Original


One of my favourite advertising spots from last year is the Telecom takeovers of train stations and airports. I remember them, with fondness, to this day, as events that disrupted the normal flow of life and made people stop and gape at something so out of the ordinary that it was worth recording and taking five minutes out of your day to stop and watch. While you may not have access, or the budget for a fully- fledged dance troupe, there are small and subversive ways to demonstrate your stance and call attention to your cause. I'm not going to make any suggestions, as how you choose to do this is only limited by your own creativity. You'll think of something. 


Don't do it too often


While it is, in some places, possible to take to the streets on a whim every day, with the media attention an popular support that it brings. However, the people who march with you are people. Rallying them to a march every two days will wear them out. A march every few days will also lead to what I like to call oversaturation. After a while, the audience will think to themselves "Again?" and start looking away. This is not to your advantage. Taking to the streets should be a last resort. Don't overuse it. 


There are quite a few more things to say in this context. I ask you to be patient, as things are happening which will add to this post. 





Comments

Popular posts from this blog

The Clay Models

In an attempt to move away from the more dangerous things in life, such as hmanely catching rabbits, flying to the moon in search of Wedneslydale or sheeprustling, Messrs. Wallace and Gromit, formerly of Anti-Pesto, have taken up part-time modeling for Harvey Nichols. They present us with an amazing transformation, which, in a wierd way, actually looks cracking great! The campaign is brought to your poppers by DDB London with photography by Giles Revell. Wallace: Prince of Wales check grey two-piece suit by Paul Smith Gromit: Ray Ban Wayfarer sunglasses and purple stripe silk scarf by Duchamp. Wallace: navy cashmere jacket and silk tapered trousers by Alexander McQueen, Dolce & Gabbana fitted white shirt and Giorgio Armani tie. Gromit: navy silk Paul Smith scarf Lady Tottington: black draped jersey ‘Acorn’ dress by Alexander McQueen, red patent ‘Triclo’ shoes by Christian Louboutin and metallic bronze ’Puffy’ bag by Zagliani More!

¡Carambolage Rocks! (Apparently)

Gather the barber shop quartet! Roll the Drums! Fire the Works! Open the ball! Vote Hillary! Raise the topmast! Scour the Plank! Split the Atom! Shiver me timbers! That brought on quite a bit of nonsensical jubilation, finding that iCeah of Wow Legs has nominated Carambolage as a Kick-Ass Blog. In fact I jubilated all through yesterday, pausing only to reflect on Microsofts new Ad, Shelves I'd like to have, Fembots and Virgin advertising. I jubilated through work and through a small spot of partying.I am still jubilant as I write this! And now, my speech: "We've come a long way, yahdiyahdiyah, achievement, blahblah, the people who made this possible, yakyakyak, our sponsors, moohdemoohdemooh, honoured to accept, beehdibeehdibeeh, Mom, God and the stinky state of Berlin. Thangyouthangyouverymuch." So thank you for the Award, iCeah, if you didn't have one already, I'd nominate you right back, Meanwhile, my link-list needs some updating. Also meanwhile, here'

In Taheyya we Trust - How an Egyptian bellydancer found her posthumous stage in Berlin

“You should have winked at her,” Aida said dismissively, as if such a possibility had been imaginable for someone as timid as I was. Tahia Carioca was the most stunning and long-lived of the Arab world’s Eastern dancers (belly-dancers, as they are called today). Edward Said, Farewell to Taheyya My story with Taheyya begins in the summer of 2016, at Bulbuls Café in Görlitzer Str. in Berlin.  It ends two blocks down on Wiener Str 17.  Bulbuls is a café and art space around my corner that I have grown to like to sit in and drink smoothies (1). He had commissiond us- a crew of Syrian and Egyptian artists, as well as myself, to paint the walls inside the café. El Tenneen (the Dragon) is the one who ended up drawing Sheikh Imam, with the help of Salam Alhassan (known as Salahef/ Turtles) and Sulafa Hijazis (whom we call El Hayya/The Snake’s) beamers’ illumination. The Sheikh sits happily in the place to this day and Crew El-Zoo was born. Tenneen had the adv