Skip to main content

Type Research Diary, Part III

All hail Zarathustra! I am transformed from a paleolithical fossil to an evolved creature within seconds by something black. Coffee. All references to monolyths are purely intentional.

Having done homework and drunk coffee, I finally make it into an introductory session, to be ushered into class soon thereafter. The first object related to the class is a trolley, which returns five minutes later with a stack of Hans Wehrs, collosal when compared to the person pushing the trolley. On her insistance on shoving it into the classroom herself, we move on to the next section of the programme.

The classroom is familiar, I may have spent time in it myself, learning Spanish, in a previous life. A few students are waiting for the clas to begin, for their classmates to arrive. They do, it begins. Repetition and sentences. This is the third level, Intermediate to advanced, these students have spent a minimum of three semesters infusing themselves whith knowledge of Arab culture.

Arab culture is a fragmented and diverse topic, which for the purposes of this diary, will be referred to as a coherent whole most of the time. This is entirely unfair to the separate cultures which make up what has been historically termed as the collective Arab identity, however, this may be the only way to deal with the topic efficiently in this context.

I find myself slightly envious of the enthusiam with which they engage in their learning. Even though their understanding of the language is still not fully developped and their pronunciation still needs a bit of work, it is apparent that these people are enjoying the way the language is taught to them.

I am transported back to a long- gone age, in which we were taught the same things at a slightly younger age than these people are at now. The diacritics, the careful declination of cases, bringing words back to their roots…

صباح الخير!

Comments

Popular posts from this blog

Rant: Marco Wilms Art War — a Dangerous Document

Over the past three years, a great number of films dealing with the Egyptian Uprising, whether documentary, docufiction or pure invention have been brought to screens and festivals around the world. The latest such offering I have watched, Marco Wilms documentary Art War, is an interesting and polarising case.  ART WAR - Trailer from HELDENFILM on Vimeo . " ART WAR is the story of young Egyptians who, through art and enlightenment, and inspired by the Arab Spring, use their creativity to salvage the revolu tion. Using graffiti murals and rebellious music and films, they inspire the youth culture around the world and throughout the streets of conquered Egypt. The film follows revolutionary artists through 2 years of post-revolutionary anarchy, from the 2011 Arab Spring until the final 2013 Parliament election. It describes the proliferation of creativity after Mubarak’s fall, showing how these artists learn to use art in new ways--as a weapon to fight for their unfinish

In Taheyya we Trust - How an Egyptian bellydancer found her posthumous stage in Berlin

“You should have winked at her,” Aida said dismissively, as if such a possibility had been imaginable for someone as timid as I was. Tahia Carioca was the most stunning and long-lived of the Arab world’s Eastern dancers (belly-dancers, as they are called today). Edward Said, Farewell to Taheyya My story with Taheyya begins in the summer of 2016, at Bulbuls Café in Görlitzer Str. in Berlin.  It ends two blocks down on Wiener Str 17.  Bulbuls is a café and art space around my corner that I have grown to like to sit in and drink smoothies (1). He had commissiond us- a crew of Syrian and Egyptian artists, as well as myself, to paint the walls inside the café. El Tenneen (the Dragon) is the one who ended up drawing Sheikh Imam, with the help of Salam Alhassan (known as Salahef/ Turtles) and Sulafa Hijazis (whom we call El Hayya/The Snake’s) beamers’ illumination. The Sheikh sits happily in the place to this day and Crew El-Zoo was born. Tenneen had the adv

¡Carambolage Rocks! (Apparently)

Gather the barber shop quartet! Roll the Drums! Fire the Works! Open the ball! Vote Hillary! Raise the topmast! Scour the Plank! Split the Atom! Shiver me timbers! That brought on quite a bit of nonsensical jubilation, finding that iCeah of Wow Legs has nominated Carambolage as a Kick-Ass Blog. In fact I jubilated all through yesterday, pausing only to reflect on Microsofts new Ad, Shelves I'd like to have, Fembots and Virgin advertising. I jubilated through work and through a small spot of partying.I am still jubilant as I write this! And now, my speech: "We've come a long way, yahdiyahdiyah, achievement, blahblah, the people who made this possible, yakyakyak, our sponsors, moohdemoohdemooh, honoured to accept, beehdibeehdibeeh, Mom, God and the stinky state of Berlin. Thangyouthangyouverymuch." So thank you for the Award, iCeah, if you didn't have one already, I'd nominate you right back, Meanwhile, my link-list needs some updating. Also meanwhile, here'