Grand Guignol: Give me a hand… a bony hand.

The central theme, the Leitmotiv, the Main Visual of The Poster for The Horror Experiment is, as you may have noticed, a hand; holding a dangerous, steaming and green liquid, teeming with mystery and deadly intent it graces flyers and poster, boldly advertising the plays.

The hand started out as a pencil and ink sketch on a stormy night in the initial stage. Knowing this would not do at all, I proceeded to colour it in signature red and add the green goo…

… which of course had to be steaming to be at all convincing. Somewhere along the line, outlines must have been melted away by the goo, as the test tube no longer has any by this stage.

This Version of the hand decorated the face of the first two flyers…

When it became obvious we would be using the hand for the poster as well, it was time to really make the brew bubble and turn up the Technicolor steam engine, leading to this:

Is this the version we used on the final poster? Do the Arches Fall before the end? Does Akzidenz Grotesk survive unscathed? Will it ever be printed? Does all of this lead to the sky turning red and purple with green and yellow Polka dots?

All these questions, and more, may soon be answered in the next installment of this electronic chapblog!

IGAF: Utopia- Les Jours Meilleurs

A couple of weeks ago, I wrote this post, titled Dystopia , containing a dark version of the future, a look at the negative outcomes that might crawl out of the COVID-19 crisis. It has, by now been described as "9/11 in slow motion". Someone else broke a golden editorial rule to describe it as "2008 on crack". Media outlets, including Youtube, have warned of the long-term effects of this, on civil rights, labour and employment, surveillance and press freedom. And some, most notably Mr Orban of Hungary, have used this excellent opportunity to pass new, restrictive legislation that concentrates power in their hands. There have been calls for the elusive COVID cure not to be patented. And yet… And yet… It's easy to lose yourself in a media bubble, following the news and media 24/7, following, queuing in line to get into expensive shops, just walking into discount stores and the constant desire for many drinks (preferably with 10 friends or more, in a park...

IGAF: Disappearing the inconvenient.

This IGAF (Is Goodness a Fashion) series explores, from a non-expert point of view, the social, economic and narrative ramifications I see developing from the COVID-19 crisis, worries, but also hopes for a future that the current shock to the system may result in. It's a pity that random things happen when random people interact. That a person might be exposed to unexpected, or unpleasant sights when they leave the house. That we might see trash, homeless people, the effects of gentrification, closed stores in polluted streets, trees withered by mercurial weather, people in environmental suits, afraid of the diseases lurking within the safe confines of those suits. The world divided into those who have to face the streets, the Outside, and those who are safe Inside. It's a pity that these still interact. Our measure as a species that claims moral, ethical and intellectual hegemony over this planet will be two-fold as we deal with the COVID-19 crisis: On the one hand, socie...

The Books of Faragh 4: Of Lines

This time, it's really all about lines ;) Below: Book of Faragh 4: of Lines (May 2020) Faragh/فراغ (Ar): emptiness, vacuum, a free space http://caramk.net/faragh/faragh.html

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