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Showing posts from July, 2012

Sketches: ¿Angel?, Liftoff, Arena, Bar Scene

This week brings you four sketches, in pencil, calligraphic marker and Sharpie.In black and white. Now just add some water and watch them bloom!

Thawrat al Torgoman, or how to get to Alex by bus

Origi n ally published by the Arab Spring Collective, whose name I don"t like. I do like the innitiative, though. t had to be the bus. Many trips to Sinai and between Cairo and Alexandria had prepared me for an easy, pleasant, though lenghty travel experience on an air-conditioned bus. They did not prepare me for what turned out to be a demonstration of the new will of the Egyptians to confront authority and demand, if not their basic human rights, at least fair and reliable commercial services. A fresh day had begun, with the sun murkily sihloutting my view of Cairo skyrises. The first thing I did was take a taxi to Torgoman station near Ramsis, the main train station. Today was a day for a bus drive, and long- awaited meetings, fish on the Mediteranean and coffee in the Brasilian Roastery. It was a day for a trip to Alexandria. Upon entering the station, coincidence arranged the now- expected Quranic recital through the public address system. A small crowd was waiting...

Public Women

Back when I was in Cairo, a couple of days ago, we were giving a workshop on women in public space and the way they are seen. Below, find some sketches of the women I saw. Very rough, as they mostly happened in situations the book tells you not to sketch in...

Idea: The game of Cards.

Observation of the recent political machinations in Egypt have led me to an idea that I'd like to put out there and invite artists and non- artists to participate in.* Those who have known me for awhile also know that I have a long history with strategic card games, starting with Magic: The Gathering and ending with the iGame Shadow Era. The goal of these games is to defeat your opponent using a series of abilities, items, monsters or heroes, described and given a value on a series of illustrated playing cards. In politics, economy and marketing, we often hear of the need to play a particular card "The terrorism card" "The Economic Crisis Card" "The Education Card" "The propaganda card". Taking this as a starting point, the idea is to create a real-life set of cards describing the moves that are made in high politics and the actors, current or historical, involved in them. The aim of this game is, in my mind, to playfully spread an ...